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“I haven’t told you everything from the book,” former Alice Cooper bass player Dennis Dunaway teasingly told me during an interview in 2013 about the book that now sits on book store shelves. After years of tweaking it to perfection, Dunaway has unveiled the world of the original Alice Cooper group as no one really has before. “That was the goal,” explained Dunaway about Snakes. Electric Chairs. Guillotines. “I’ve spent a lot of years to get it to read the way that it does. ” In other words, from the inside out, as if you were there, sitting on the couch watching Cooper first apply the liner that would manifest into his trademark eye makeup, hanging out at Galesi Estate, the band’s communal home in Connecticut, and... It’s all there as Dunaway wanted it to be: “You feel like you’re in the car with the band, that you’re on the stage with the band. ” Dunaway lets the reader know from the very beginning that he has stories to tell and he remembers them well. “I was cursed with the gift of a vivid memory,” he writes in the prologue. Yet what he shares for the next 291 pages is not reminiscent of something like Motley Crue’s The Dirt. This has an innocence about it, a golden sunset glow, as if the naive young teen who started Cortez High School in Phoenix in 1961 was telling the story and not the rock star bass player with a lot of mileage under his fingernails. That love for the life and times of the Alice Cooper band is still intact, although it could very well have coagulated into something more dark and sinister, full of spite for how some things played out. But Dunaway stands clear of such vindictiveness and instead keeps the rhythm of the tome on a nice even keel making it hard to put down. What Dunaway does brilliantly is show us the true essence of himself, Cooper, Smith, and guitar players Michael Bruce and Glen Buxton as real people: silly jokes and goofball pranks, temper tantrums and braggadocio, alcohol and egos – all captured... It’s almost like reading a diary with the detailed “nasty” parts erased to trigger the imagination, allowing what was really meaningful to stand out. In this case, that being the conception, gestation and cessation of a band that changed the music world. Developing a friendship. Source: www.glidemagazine.com
Into the threatened breech a small publisher always seems to step to ensure that the craft of poetry is preserved, disseminated, available for instruction and delight. Transit Lounge was there for Andy Jackson, whose book of verse Immune Systems , draws on two visits to India, the more recent an Asialink residency at the University of Madras "to explore the personal dimensions of medical tourism". He does so vividly, for instance in the poem "Saddhu" (Hindu ascetic): "His long matted hair smells of diesel/and ancient panic. His eyes hold lightning / and nothing". Sensible of the "shocking / cliched images of urban India", Jackson plots a less usual path. He does so in part through deploying the old Persian poetic form of the ghazal, popularised by Rumi, and potent for Jackson "with its ecstatic and earthly sense of frustrated longing". Here Jackson's emotional investment in the land and his inquiries finds an appropriately disciplined yet evocative instrument. Elizabeth Lawson is an academic who has written on the art of Louisa Atkinson and the poetry of Gwen Harwood. Puncher & Wattman has published her second volume of verse, Penelope's Chairs , 35 years after the first appeared. Lawson's critical and poetic backgrounds furnish the dense literary allusions of a number of the poems. The book begins with a riff on King Lear , then gestures to Les Murray and TS Eliot, before ending with "Valentine Street Wharf", written in response to Peter Porter's poem "Landscape with Orpheus" and "Epistle to a Thief", dedicated to the... Elsewhere, Lawson shows a delicate eye for landscape. In "Namadgi" she remarks "brakes of / gums ghosting a shallow edge / melting down lean gullies losing light". In a collection of intelligence and variety, Lawson's range encompasses a wryly affectionate remembrance of her almost centenarian mother, "that Rolls Royce heart just turning over / its first last signs" and "Chirpy Poems", where she enters a... This is the kind of confident play that happily animates Lawson's book. The British publisher Shoestring Press is the imprint for Adrian Caesar's latest and fifth volume of verse. Caesar is also a literary critic and author of the "non-fiction novel" of Antarctic exploration, The White. Source: www.smh.com.au
I’m going away to the North Carolina coast next week, and, like many ambitious vacationers, I plan to do a lot of reading. There’s a random assortment of books I’m bringing with me, including a depressing history of Native Americans I’ll see if I can slog through, as well as David Hajdu’s biography of Billy Strayhorn, a forthcoming monograph on Robert Frost and a few... But there’s one place I know I won’t be doing any reading, and that place is the beach. For quite some time now, it’s struck me as one of the worst possible environments one could attempt to get reading done. There are, first of all, the practical concerns. While it’s supposed to be relaxing, I have always found beach reading to be an annoyance—an overly strenuous act. The sun, for instance, is simply too bright. squinting your way through a book is never worthwhile. Even if you have an umbrella, you have to worry about the pages being blown every which way by the unruly wind. (Don’t get me started on newspapers—particularly broadsheets—at the beach. What’s more, if you don’t have a chair, then you have to lie down or sit in an awkward position, and your arms get tired propping up the book, or at least mine do. (I should add here that I don’t really like reading in bed—for the same... ) And if you’ve got a Kindle or an iPad or whatever e-reader you like to carry, you have to worry about sand infiltrating an expensive machine. My feelings may, of course, be amplified by the fact that I don’t like the beach that much—it’s too sandy—but I get the sense, based on what I’ve gleaned through the years, that I’m not alone here. There are, too, the more personal and perhaps philosophical reasons for my beach reading allergy, which most writers will probably understand. Since I began reading in earnest—late in high school, I’d say—I have viewed it as a kind of intellectual work, which is not to imply that I don’t enjoy it. Far from it. But if you are trying to absorb and learn from and have a critical mind toward... And in that sense, reading seems antithetical to the ideal beach experience, in. Source: observer.com
“It's an honor to be asked to co-chair the festival this year,” Morgan said. “But what's more of an honor is to be able to be the co-chair with Darnell Williams. It's going to be an exciting festival with stage shows from all over the world. I think
dunaway2 “I haven't told you everything from the book,” former Alice Cooper bass player Dennis Dunaway teasingly told me during an interview in 2013 about the book that now sits on book store shelves. After years of tweaking it to perfection, Dunaway
Puncher & Wattman has published her second volume of verse, Penelope's Chairs, 35 years after the first appeared. Lawson's critical and poetic backgrounds furnish the dense literary allusions of a number of the poems. The book begins with a riff on
I believe a living room, if space permits, should have two ample sitting groups, although one might be simply a card table with four chairs, the kind with upholstered seats and backs. His latest book is “Decorating in the Grand Manor: A Design Memoir.
On Saturday, September 5, 2015 celebrate the 15th Anniversary National Book Festival, brought to you by The Library of Congress and Honorary Chairs President Obama and Mrs. Obama. The Library of Congress National Book Festival is an annual literary event ...
Terry McIIroy, President of the Sun Prairie Public Library Foundation, announced today that Windsor resident and Library Foundation Board Member, Nicole Waerzeggers, has been named co-chair of the library’s annual Book’n It Run/Walk. McIlroy said she ...
Into the threatened breech a small publisher always seems to step to ensure that the craft of poetry is preserved, disseminated, available for instruction and delight. Transit Lounge was there for Andy Jackson, whose book of verse Immune Systems, draws on ...
John Smith wrote five books in the Hugs series. In addition to Hugs for Mom, he authored Hugs for Dad, Hugs to Encourage and Inspire, Hugs for the Hurting ...
Chairs displayed on their own as pure form "The ultimate reference book for anyone interested in knowing the what, where, who, why and how of the most ...